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Globalization Impacts on Pop Music
Music is undisputedly a crucial tool that fosters cultural identity, national identity, and education for many years. The advent of globalization has revolutionized the music industry in several dimensions. Firstly, the integration of cultures, sharing of knowledge and ideas is a celebrated aspect of globalization that enhanced improvement ibn musical instrumentation, and diversification of popular music content (Verboord & Brandellero 607). On the contrary, resistance to globalization has escalated having been termed as an agent for the erosion of the conventional music culture. Thus, globalization has received critical reception being both an enhancer and a threat to pop music. Globalization has decreased the cultural gap, enhanced integration, diversification, and loss of cultural identity that has contributed internationalization of pop music and decline of conventional popular culture.
Globalization is currently a controversial topic because of its multifaceted implications. The twofold implications of globalization on culture follow both positive and negative critical perspectives. Essentially, music is highly commercialized in the modern generation in addition to its educating, unifying, and entertaining value. Thus, cultural integration through globalization alters the form, content, and influence of pop music. Several empirical surveys and ethnographic studies have explored the influence of globalization on pop music, regarding its impact on the content composition, style, cultural elements and originality ("Globalization"). The context of this paper entails a critical analysis of the topic based on an analytical review of selected studies to establish
Globalization decreases cultural gaps, thus enabling the sharing of ideas, technology, and information that shapes pop music. The global evolution of the popular music emanated from the digital transition aided by technological tools. For instance, recording tools playing and sharing of music I digitalized and commercialized across the globe (Verboord & Brandellero 607). Essentially, the cultural gap is bridged in the sense that similar technological tools apply in the recording and playing of music irrespective of culture. This feature bridges the disparity and creates a multicultural rhythm and the hybridization of cultural values. Consequently, the profitability of pop music has increased despite its articulation of different cultural elements. Thus, the impact of globalization on a cultural gap in pop music is irrefutable, and can also lead to diversification and integration that has other critical implications.
Globalization causes the diversification and integration of pop music that causes cultural imperialism. Significantly, globalization encourages the capitalistic treatment of music, including the pop genre, hence promoting ownership and control by conglomerates. Sociologists assert that globalization is a complex process, and its influence on pop music is multifaceted. In this perspective, the diversification and integration of popular culture with other social and economic elements is one dimension of the globalization process. These changes in the musical culture translate to the interests, preferences, and responses by different audiences that is enhanced through sharing platforms like the internet (Verboord & Brandellero 620). Thus, some cultures may exercise dominance over others based on resources and other facets that give them better exposure to production and selling of music. The cultural integration also increases the educational value of pop music because of content and idealistic diversification. Thus, the implications of the integration and diversification of pop music emanating from globalization facilitate the growth of popular culture in a different dimension, although it threatens aspects of cultural identity.
Globalization causes decline to cultural identity that articulates to pop music tradition. The role of pop music in unifying a country of community, preserving cultural heritage and signifying a society’s identity is irrefutable. However, the advent of globalization threatens this value because it propagates the sharing of all cultural features between different communities, countries, and continents. Notably, new entrants to the pop music culture from foreign states may have an advantage by introducing a new taste in the market, which reduces the originality of the music (Mauch et al. 3). Consequently, popular music has expanded and encompassed transcultural feature in content, style, and instrumentation. Whereas this evolution enhances quality, it undermines originality and national identity that could bond the people and reconnect them to their history. Besides, the ethical values that were passed through generations loose track in such cases since foreign content bring inconsistencies. In addition, this trend causes the loss of domestic culture and its subsequent replacement by foreign ones. For instance, globalization closely associates with the spread of westernization that alienates other social groups from their traditional cultures. Therefore, another perspective of globalization and pop music indicates negative outcomes on culture.
The analysis indicates that globalization has revolutionized pop music by reducing the cultural gap, fostering integration and diversification, and perpetuating a decline in cultural identity. The evidence in the paper illustrates the critical perspectives and analytical frameworks encompassing globalization and pop music. Primarily, the globalization trend affects the content of pop music and its implications on culture. In addition, technology articulates to the spread of globalization, causing uniformity in pop music form and content across cultures. This trend has both positive and negative social and economic outcomes. Precisely, commercialization and wide exposure to a global audience benefit the musicians. However, the loss of national heritage and cultural identity undermines the true value of pop culture.
Works Cited
"Globalization." Popular Music, 19 Mar. 2012, popmusicifp.wordpress.com/globalization/.
Mauch, Matthias, et al. "The evolution of popular music: USA 1960–2010." Royal Society open science 2.5 (2015): 150081.
Verboord, Marc, and Amanda Brandellero. "The globalization of popular music, 1960-2010: a multilevel analysis of music flows." Communication Research 45.4 (2018): 603-627.
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