How Artists Challenged the Primacy of Western Europe and North America in Their Artwork

The arrival of the twentieth century created the notion for artists to believe that art needed to get into a completely fresh unique and new contemporary age. Art became more that just images and artists where utilizing different concepts in creating objective reality. This created a shift where the Western Europe and North American superiority was being challenged artistically as art was the approach being utilized in addressing social justice issues thus allowing politics to get into more subjective matters. For instance Joaquín Torres-García map Inverted America depicts the authority held by art in constructing real worlds (Shiner, 2001). Through the use of constructive universalism Torres constructed in his map a manifesto which is an inaugural gesture creating fresh parameters which can be accounted as spatial. This is an art piece that tells differing narratives holding the phrase that the North is the American south. The North was more developed and stable as compared to the South which was occupied by Latin America and this offered a challenge in reference to dominance.

On the other hand the map ‘’Le Surrealisme en 1929’’ additionally demonstrated globalization phenomenon where cultures are not distant and places and individuals have been connected (Fichner-Rathus, 2012). The map was a demonstration of how in general the phenomenon was creating a small world that was worth the embrace than challenging Europe which had acquired increased colonization globally. Jacob Lawrence work is a representation of collectivism which emphasis on human content as the only paramount thing. Henry Ossawa was a realistic artistic who focused on the African American artistic genre and differing from the previous notion he represented them as individuals rather than distortions. This created a notion of respect in the period where racial prejudice against the blacks in America was a common norm (Shiner, 2001). These arts contradicted the world’s fair which since it starting served as the global presentation of specific achievements of different state. This was an example of political symbolism while objective reality was being understated and ignored. The notion was changed by these contemporary art by creating symbolic solutions.

 

 

 

 

 

 

 

 

References

Shiner, L. E. (2001). The invention of art: A cultural history. Chicago: Univ. of Chicago Press.

Fichner-Rathus, L. (2012). Understanding Art. Cengage Learning.