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zoos and aquariums: are these spaces in which he are inspired by a common sense of dread and terror, as with sharks and snakes, or rather a sense of kinship with less threatening animals, such as the primates, or dolphins?
What sort of cultural narrative is being generated? Is it centered on a place, like the US South, or it global, like Coke?
Is it premised on a shared commitment to an ethical ideal, like racial/religious tolerance? Or is the presumed commonality among museum-goers an investment in identity formation via consumption?