Exploratorium Museum
Museums revive the past, present and the future. The design, surrounding and preservation sites tend to demonstrate the relevance of past lifestyles to human beings and the entire universe. Most of the times, Museums inform on the detailed information hence prompting people to explore societal systems and needs. The Exploratorium Museum is located in San Francisco. With time and the ever changing technological world, the museum specialized in exhibiting science, technology and artistic monuments. In addition, Exploratorium Museum is known for its prolific arcades, funhouses and experimental laboratories. One of the most exceptional concept found within the Museum is incorporation of six galleries each attentive to various exploration zones (Exploratorium Museum, 2020). One mutual thing which makes these galleries interesting is the interactive nature of the exhibits which are appealing and resonate with average human beings seeking to explore human interests and advancements. Clearly, art will never run out of style and gives the visitors time to indulge and take in the beauty and the background of the art work. For instance, one can touch or even play with some of the exhibitions. Subsequently, the artwork allows the visitors to ponder on how his world operates which in turn opens up the doorway to gaining understanding on the future and timeless human trends. The galleries are placed in the exhibit development workshop. Under the exhibit development section, visitors get a chance to find out the mechanisms used to research, create and fabricate the art.
The first gallery captures human phenomena. Bernard and Barbro Osher are the creators of this beautiful piece of art. The art was meant to experiment on human feelings, beliefs and interactive routines. All humans have emotions, feeling and social perceptions and this specific piece of art uses science research and innovative explorations hence at this particular gallery one gets a chance to interact, play and observe the painting. According to the Curator’s sentiments, the Osher gallery centers on sharpening perception, feelings, interactive traits and then interplays science, community, art and tradition. People have different world perceptions. For instance, reminiscing the past, perfecting the future and communicating with other people helps human invent, and solve the world’s problems (Exploratorium Museum, 2020). The agility of the painting to capture human mind and behavior portrays linguistic patterns and other social routines. In addition, the gallery tends to combine the articulate norms of the society with existent features. Combining the engaging nature of the art and the immersive surrounding of the museum, the artistic forms of art are able to accurately display sole purpose of the artist. In short, the museum has made an effort to ensure visitors are immersed into the galleries as it informs on different human aspects.
Even though museum are made to be passive and factual, Exploratorium Museum added an interactive Radio frequency identification fields (RFID) assists visitors continue scientific investigations even after their visits come to a halt. Most importantly, the museums protects the visitors’ personal information due to privacy issues (Exploratorium Museum, 2020). The hands-on museum uses various RFID configurations to bring out factual background on each one of the exhibits.
Instead of being a storehouse of artefacts, the Exploratorium Museum tends to actually satisfy the relationship between the exhibits and the visitors. Instead of just curating, the visitor gets the chance to convey his or her message depending on his or her own perspective on the immediate issues governing the precepts of art (Exploratorium Museum, 2020). Furthermore, the spacious arrangement as one moves from one exhibit to another, manipulates space and obscures comparison so that one can just focus on what his or her eyes have captured at that particular time. With time, any visitor can go through the museum without giving a chance to conclusively criticize or overlook any important aspect of the images presented. Appealing to the human senses and being able to retain the relevance of the exhibited content is one of the most effective ways of retaining the interests of the visitors.
The second art in the gallery section is known as the tinkering. The artwork is in line with the main theme of the museum which is to give its visitors a hands-on experience while they move about the Museum. The tinkering gallery triggers a visitor into wondering how the artists were able to construct such a beautiful woodwork piece (Exploratorium Museum, 2020). The existence of constructive elements and the modernism architectural work of the museum give it an attractive taste and time to come up with the projected ideologies placed on display. As time goes by, some aspects of the museum tend to blend in with modern day events and experiences. For instance, the tinkering gallery allows the visitors to think with the hands and in the process develop an understanding on the happenings of the world. The two exhibitions are under the gallery sections and tend to gain appreciation due to the simplicity and ability remain relevant over the years. Due to advanced technological placement required to make the displays lively and neat, the workers of the laboratory sometimes have to come up with the required measurements to enable the visitors to check for discrepancies and participate in the recreation of new materials within different parts of the museum.
As easy as it might sound a modern museum with modernized equipped helps to give the visitors time to appreciate modernism with an ancient forms of artistic work. The key issue is helping the visitors interact with the galleries as much as possible while giving way to chance and growth of vital elements of the museum (Ogawa, Loomis, & Crain, 2009). A museum not only informs but gives a solid impression on how things needs to be done presently and in the near future. The chance to meet the tenets of each exhibition and also cater to the needs of the visitors is all tied up to the chance to offer a playful atmosphere to the visitors while they interact with other exhibitions located within eh museum. Another notable aspect is how people can easily ignore the labels as they interact with artistic elements within the museum. The labels are not designed to be cumbersome give the visitor’s only immediate information which then he or she can use in a manner that he or he wants (Ogawa, Loomis, & Crain, 2009). The tall, beautiful pieces of art are arranged in a circle and distance from each other through open spaces hence a visitor can easily rush from one artistic design to the other with the aim of finding out origin of each. Quiet often, the museum tends to establish the inclusion of different personalized information so that each visitor feels like or he or she is part of the art and can contribute to the naming and history of each piece of artistic work.
References
Exploratorium Museum (2020). Museum Gallaries. https://www.exploratorium.edu/visit/galleries
Ogawa, R. T., Loomis, M., & Crain, R. (2009). Institutional history of an interactive science center: The founding and development of the Exploratorium. Science Education, 93(2), 269-292.
